Ursula Höf No birth date available. Ursula Höf (sometimes credited as Olla Höf) began working as an apprentice editor in 1970 before editing her first film in 1975. She has earned ninety editing credits spanning narrative, documentary, features, and shorts for both film and television. Höf collaborated with Helke Sander on several landmark feminist films…
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WILLI, MONIKA
Monika Willi Born 1968 Monika Willi, with thirty-one credits, is an Austrian editor of both narrative and documentary films. She began working in 1997 and received the Femina Film Award at the Max Ophüls Festival for her first theatrical feature, Florian Flicker’s Suzie Washington. Willi has been a regular collaborator with directors Michael Haneke (The…
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Bernice Schneider No birth date available. Bernice Schneider trained at MIT’s Media Lab under the direction of cinema-verité filmmaker Richard Leacock and has worked as a documentary film editor for over twenty years. In addition to independent feature films, she has edited numerous films for five series on PBS: The American Experience, Frontline, American Masters,…
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Karen Schmeer, ACE 1970 – 2010 Karen Schmeer, ACE, began her career by editing a film that director Errol Morris had feared was completely uneditable, 1997’s Fast, Cheap & Out of Control. Morris publicly credited Schmeer with saving that film by weaving four disparate characters’ stories into a poetic symphony about human emotion, whimsy, and…
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Melody London Born 1954 Melody London began her editing career in 1984 with Jim Jarmusch’s Stranger Than Paradise, which won festival awards at both Cannes and Sundance. She continued collaborating with Jarmusch on his next two features (Down by Law, Mystery Train) as well as two segments of Coffee and Cigarettes. In these works, London employed…
Read MoreAppendix C: Editing 101
Appendix C: Editing 101 This appendix has links to articles and videos that talk in detail about the actual work of editing. They define terms, give examples, discuss approaches, etc. It’s divided it into five sections: Online Articles, Online Videos, Feature Films, Books, and Miscellaneous. Instead of separating tech from aesthetics, we organized it to…
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